Oh... and Pale Shelter pulls its title from the Henry Moore painting. On the album it's released, The Hurting, Roland and Curt were steeped deep in psychology. They vented heavily about their youth, and upbringing. Pale Shelter was written about their parents, not a girl. I always thought of Pale Shelter as someone you were meant to be in love with but you recognized they were not someone that was truly there for you. Pale Shelter is someone you fear drawing close to and know better than to count on. more »
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Monday, June 29
by
Lars Hindsley
on Mon 29 Jun 2009 12:52 AM EDT
Today I give you a song from my true list of favorite's. What makes a song a favorite for me? Lyrics are a must. Matching up or communicating my own philosophy is almost always the case. Pale Shelter is a classic case and a classic tune. Back in the day I recall having a fall out shelter sign in my own bedroom. I slashed out the word FALLOUT and wrote PALE on the sign. But that really is playing with words. The fact is Pale Shelter is someone that is false. Someone that will never be there for you when you need them most. They are, "Pale Shelter". I remember Mike Ziegler and I belting out "...And I can't operate on this failure! When all I want to be is... in -- complete command!" The funny part was when we sang it, we meant it. I could think of so many young loves... girls that had come and gone. Ah the innocence of youth. -- and the wisdom of it too. I knew what love was worth and I recognized pale shelter when I saw it. I labeled so many as pale shelter.
Oh... and Pale Shelter pulls its title from the Henry Moore painting. On the album it's released, The Hurting, Roland and Curt were steeped deep in psychology. They vented heavily about their youth, and upbringing. Pale Shelter was written about their parents, not a girl. I always thought of Pale Shelter as someone you were meant to be in love with but you recognized they were not someone that was truly there for you. Pale Shelter is someone you fear drawing close to and know better than to count on. more »
Monday, June 22
by
Lars Hindsley
on Mon 22 Jun 2009 03:04 AM EDT
You know when you write a story, you can always make it better. Please revisit the story below as I've edited it.
-Lars Hindsley more » Friday, June 19
by
Lars Hindsley
on Fri 19 Jun 2009 02:36 AM EDT
There was a day I fell into danger. I met a girl. Love. It was that good feeling we all search for. It was the feeling we all hope for. It was a feeling I once scorned and ignored. I was that fool that dared to think I was lucky enough. If there is a feeling of winning the lottery and actually holding the winning ticket, I had that feeling. The feeling that it must be a dream and I refused to wake up for the fear it would end.
Then it seemed as soon as it was upon me, it vanished -- because she told me she'd never hurt me. That man which was the most dangerous of men on earth was vulnerable. The fickle heart was captured. I felt a change in her. The electricity that binded us together was no illusion, so why did she open her eyes? Why did she wake up from such a good dream. After all, it was meant to be a dream come true. Did her heart stop beating for me? I'll never know, for she would never say. She just let me go and faded away. Left to my pain, it was time for me to wake up. Some dream, some do. It's a fatal cause to think you can wake up from a dream and still be in love. Dreams only come true while you are dreaming. When you wake up from that dream love is no longer a source of happiness; love becomes painful. What makes love so painful? I think it is the understanding we have that we only get one go around in life. The time we lost we never get back and when we lose someone we care about, we are faced with what we believe is futile future. I mean to say that the absence of that person we love changes how we live. There is the life you had before them where you were happy to be alone, and the life you have after them as they've taught you the value of being with someone you care about. You care about someone more than yourself. You have a sense of purpose with them. When they are gone, you feel you have no purpose. You feel loneliness instead of just being alone. Ironically when love is blind you see things most clear. The day she said she'd never hurt me was the day I should have realized she would. You see when she broke my heart I said to her, "You said you loved me." Her answer was simply, "Now I don't." Love is ...a dangerous language. I opened my eyes and every star in the sky stopped shining. I stepped back into the shadow and felt I deserved to be a fool. I was angry, I was sad. I was everything but crushed, because I had at least had my dignity. I danced a little dance, picked up the pieces and moved on. I was honest with my emotions and felt what some men never come to know. I had a gift that was not meant to be taken away; a gift, shimmering in my mind that for a brief time I held in my arms. Reluctantly I accepted my fate. My eyes began to bear down hard with a glare. I was once again the most dangerous of men on earth. After all I was no stranger to danger and love is more » Wednesday, June 17
by
Lars Hindsley
on Wed 17 Jun 2009 12:44 PM EDT
This is an early review for Deadgirl, opening in theaters July 24th 2009. Deadgirl hardly promotes itself as a horror film and it shouldn't; still Ferris Beuller never took a day off like this! Viewing it in its entirety, there is no other genre you can fit it into. It is indeed a horror film. Yet for the style or description you'd tag it with, Deadgirl is original. I can't label it brilliant, but it took some brilliance to make such a smart horror story. SYNOPSIS: Daringly original and genre-busting, Deadgirl is an odyssey into the soul of our alienated youth. But by injecting universal teen moral moorings into something fantastical and terrifying, the film takes the conventions of the horror and coming-of-age movies and turns them on their heads. When high school misfits Rickie (Shiloh Fernandez) and JT (Noah Segan) decide to cut school and find themselves lost in the crumbling facility of a nearby abandoned hospital, they come face-to-face with a gruesome discovery: a woman whose body has been stripped naked, chained to a table and covered in plastic. When both react to the situation in extremely different ways, the boys soon find themselves embarking on a twisted yet poignant journey that forces them to decide just how far they're willing to stretch their understanding of right and wrong. What concerns me is that without a promotional campaign, trailer or any visual aid of what you as a moviegoer are in for, it becomes hard not to spoil the story in a review in a small degree. You see, despite the films teen angst and coming of age sub-plot it's not a film for teens due it's graphic depiction of warped sexual behavior. Deadgirl is certainly not suitable for anyone under 18 in my opinion. The content is intensely adult. Deadgirl exploits teens in a whole new way where horror films have feared to tread. In today's society where parents don't even care were their kids are at night, it would be wise to shield them from the adult sexual theme in Deadgirl. While I warn you of the content, if you enjoy horror films this one is as the film makers claim; original. Deadgirl crosses-over early on into a suspenseful drama. more »
by
Lars Hindsley
on Wed 17 Jun 2009 02:00 AM EDT
more » Sunday, June 14
by
Lars Hindsley
on Sun 14 Jun 2009 05:22 PM EDT
Here is a typical example of what skating in Philly is like. This map is from a GPS cardio training program you can download free on the G1 phone running Google Android. It is in fact set for skating, NOT running, NOT biking. The trip lasted almost 2 hours. Stops were often enough as the lead skater would allow back skaters to catch up with the main group no less than 8 or 9 times. A pause in the action is not uncommon. Stop lights stop the group too, but if the group is broken up, we stop traffic so that our group can re-collect as a unit.
![]() Each week we start at the steps at the Philly Art Museum on the Ben Franklin Parkway. Many times we'll shoot down the parkway and then meander around the city from there. This time we broke north east of the Ben Franklin Parkway. These events always have a midway point at South Street. Skating through China Town, Old City, Penn's Landing, Society Hill, Center City, Rittenhouse Square, across the Schuylkill River into University City is typical. When we finish back at the Art Museum steps the group disbands unceremoniously, there is no fanfare. It's an easy skate for anyone with intermediate skating skills. A helmet and wrist guards are all that's required but knee pads are really a must. Should you go down for even a moment due to a false step, knee pads will mean you don't have a miserable night sleeping with road-rash or having to stay out of the pool for the next week. People make a big deal out of not being able to brake. While braking is an essential skill in city skating, it's not that hard. Most people think they should stear clear of a city ... more » Sunday, June 7
by
Lars Hindsley
on Sun 07 Jun 2009 04:53 PM EDT
What do you do when you catch people in a lie? I usually let them bury themselves. My history is to in general never tell them about ever knowing the truth either. For most of us this usually involves a spouse. But there are many times it happens with colleagues, business relationships of many sorts and friends.
The white lies I'll confront people with. I'll do it with a laugh letting them off the hook. I do that as my own way of telling them, I'm no spring chicken. But in the end, I have to admit most people don't pick up on the fact I keep my mouth shut and know more than I let on. Why do I do this? I think it goes back to my spy days. I've learned that you never know when someone will come in handy so I don't burn bridges. Not with anyone if I can help it. I've even gone as far as to stoke the flames of old friendships going sour just to make sure I've not put myself in a position of compromise with these people later. So no, I'm not a coward that can't confront people. If you know me I don't back down from a fight. But I do know the art of diplomacy. When it comes to lies, I suggest you all keep a large database of them in your head, but don't challenge people when they lie to unless their lie is directly affecting you or you can't sustain it. When you challenge them, they now consider you an adversary and are willing to hurt you or know they must be more guarded in the future. Just some advice from a wry spy. Do with it what you will. ;) more » Wednesday, June 3
by
Lars Hindsley
on Wed 03 Jun 2009 06:23 PM EDT
by
Lars Hindsley
on Wed 03 Jun 2009 03:36 AM EDT
Love Love Love can come and go You can change your mind Many times Say you just don't know Giving my heart and my soul Pleasure comes with pain I'll be here forever Don't break my heart again Can't tell you the way that I feel tonight (I need your lovin' and I) Want you to hold me tight Can't tell you why I feel the way I do (I know I'm crazy but I'm) Falling in love with you Love can come and go You can change your mind Be unkind And say you love me so Finding a love today All I get is pain I'll be here forever Don't make me cry again Can't tell you the way that I feel tonight (I need your lovin' and I) Want you to hold me tight Can't tell you why I feel the way I do (I know I'm crazy but I'm) Falling in love with you You can take me for granted (Treat me like a fool) Make me lose control (Lose control of you) Don't make me lose that feeling So tell me Why do I feel this way? Can't tell you the way that I feel tonight (I need your lovin' and I) Want you to hold me tight Can't tell you why I feel the way I do (I know I'm crazy but I'm) Falling in love with you Can't tell you the way that I feel tonight (I need your lovin' and I) Want you to hold me tight Can't tell you why I feel the way I do (I know I'm crazy but I'm) Falling in love with you Can't tell you the way that I feel tonight (I need your lovin' and I) Want you to hold me tight Can't tell you ... more » Tuesday, June 2
by
Lars Hindsley
on Tue 02 Jun 2009 02:26 AM EDT
Reads like a great headline right? Wait until you know the circumstances. When CNN jumps for joy for a 'father' winning a custody case, you'd think it was something amazing. A dad should have custody of his children? Really?
The insult is that the father had to fight an international fight over something that is really a no brainier. Hell, the mother ISN'T even alive! You read it right. So why should this man have to even fight for custody of his son? The real story is that men are STILL considered second class citizens in the reality of parenting by the courts. Here is the details... Jersey father is divorced by Brazilian wife. She absconds to Brazil with child. Dies. Five years later he wins custody case to have child returned to states. http://www.cnn.com/2009/US/06/01/new.jersey.brazil.custody/index.html As a single full time father of two young boys, I am certain that my children living with me is a good life for them. Yes, dare I say more so than with their mother. Why? The reasons are countless, but consider the simple things such as how often do mothers decide to just pick up a baseball mitt and have a twenty minute catch with their son talking baseball from favorite teams to little league? Yes, I can cook. I'm a damn good one. Yes I sew, do laundry as do my son's. We work together and we as a family are tight. The women in my life are nothing less than stunned at how well and good our life is let alone the compliments I receive as a father. Despite the angst, selfishness and cruelty I've been witness and victim of, I show the utmost respect towards my boys mother. I've learned that men are able to focus on the big picture where ... more » |
WHY MOSTLY PHOTOS OF LARS? The answer is simple. It's to protect the privacy of friends. I'm not a narcissist. LOL ![]() ABOUT THE AUTHOR Lars Hindsley is a self-employed single full time father, a writer, a non conservative Republican, a reformed idealist (a compromisationalist), ex-musician, God fearing cynic that could more easily be described in two words as a "Rugged Intellectual". Lars writings range from "how to" articles to commentaries and advice. You'll find movie reviews and video picks of the day side by side with serious writings. Lars offers perspective from an Anglo-Christian moral position while never lording over anyone unlike himself. Lars is of the opinion that if you are going to complain, you should offer a solution. His perspective on the world is that many of us fight societal evolution to frustrating ends without a genuine understanding of what it is we are all up against. Reading his articles should provide you with positive energy towards living out your day. You may not be able to change the world but you can navigate it to live a rich and rewarding life. Enjoy Lars’ works, there are years of writings to choose from. ![]() ![]() ![]() ![]() Recent Photos
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Deadgirl hardly promotes itself as a horror film and it shouldn't; still Ferris Beuller never took a day off like this! Viewing it in its entirety, there is no other genre you can fit it into. It is indeed a horror film. Yet for the style or description you'd tag it with, Deadgirl is original. I can't label it brilliant, but it took some brilliance to make such a smart horror story. 




